Author Archives: Jack White
I was delighted to learn last week that my orchestral piece ‘Digital Dust’ has been shortlisted by BASCA for submission to the ECCO board. I will learn whether or not the piece has been selected next month. I do not know what my chances are like, but I am very proud of the piece and if you would like to hear it you can through this link (Digital Dust).
Tonight the entire performance of P.A.R.A.D.E. will livestream on Facebook at 7pm. I wrote the music for the outdoor performance by manipulating the BBC NOW’s recording of Satie’s ‘Parade’ – look out for a Musak version of the main themes accompanying the indoor performances at the Wales Millennium Centre by tuning in tonight.
Lovely to be able to share the dress rehearsal with an audience full of school children from Newport. I was in the orchestra pit so they had a much better view than I did, but they absolutely loved it! Tonight is going to be very special!
On May 11th and 12th Ballet Cymru will be performing a new ballet to my score for Cinderella. I have been working on a version with live instruments and also revising the version which will accompany the company on their national tour (see www.welshballet.co.uk for a complete list of dates and venues). With a new set and costumes I am very much looking forward to seeing the production and working with the musicians on the night!
Tin Shed Theatre Co. have recently been awarded Arts Council Wales funding to support a five week period of practical exploration, developing their ongoing project, Moby Dick On The Transporter Bridge, in Pillgwenlly, Newport. As part of this I was brought in to work with their cast to write a sea shanty and a sea hymn. We were able to create these works in the morning and I will be watching closely to see the fruits of this exciting R & D process. It’s a great feeling to work collaboratively!
A project in which I scored ballet dancers live has recently been released. The aim of Dance Unstuck (danceunstuck.co.uk) is to explore to what degree a ‘universal’ approach (informed by Universal Design of Instruction) and teaching methodologies developed for inclusive technique classes could be applied to the highly codified genre of ballet, thereby making it accessible to a wider diversity of dancers. The way of working was totally new to me as I was asked to compose as the dancers danced. This is such a worthy project and I am very grateful to have been asked to take part.
I was delighted to be able to attend last week’s rehearsal for BCMG/The People’s Orchestra contribution to this year’s CoMA Festival. Dan Watson (pictured) led a wonderful rehearsal of my new piece ‘Hummingbird’. This weekend will see this piece performed in both Birmingham and London as part of the festivities, and I can’t wait to hear it!
I was very heartened to hear that CoMA have begun rehearsals on my new piece ‘Hummingbird’. It will be premiered in a concert in March this year and I will post more information about this as soon as I can. This piece will also be heard in arrangement for London Music Masters for their learner groups, more details to follow.
The music I created by manipulating the BBC NOW recording of Satie’s ‘Parade’ can be heard in the televised version of this production. You will only have a few weeks to view it so the link is here: https://www.bbc.co.uk/iplayer/episode/b09f469j/parade
Sunday marked the final performance of P.A.R.A.D.E., and what an enjoyable journey it has been. We were featured in the Guardian too (click here for the link), where Judith Mackrell describes my manipulation of the original score as a ‘rich clamour’ (I am assuming rather presumptuously that this is a compliment!). It was such a great experience to be a part of this project and I look forward to November when it will be aired on BBC4 – more updates to follow!